Mesoma Hammida Onyeagba born in Port Harcourt, Nigeria, and hailing from Enugu State, works in the mediums of painting, textiles and fashion-based art. She obtained her BFA at the University of Ottawa and an MFA at the School of the Art Institute of Chicago (SAIC). She was awarded the Suzanne Rivard-Le Moyne Award (2022) from uOttawa and the Municipal Art League Fellowship Award (2024) from SAIC, both based on merit. 

I emphasize the tangible presence of fabrics as carriers of history, memory, and personal narratives, transforming what might otherwise be discarded into cherished artifacts. My work redefines traditional notions of beauty and advocates for a broader appreciation of art and aesthetics by highlighting the enduring value of these materials.  

I also explore patterns, shapes and colour coordination, delving into the themes of movement, fluidity and tranquility. I focus on the dynamic interplay of form on the body (clothing) regarding the subject and in the environment (tapestries and quilts). My Nigerian heritage influences what I find valuable for collection and creation. Besides personal narratives, collaborative creativity enriches my practice with the goal to inspire, innovate and connect.

Figurative painting was my initial art practice before I leaned towards fabric-based art. My paintings celebrate and appreciate Black women, exploring fashion and tactile memory through clothing choices that center on identity and emotions of the past. I ask questions like: Why that piece of clothing? How does it make one feel? What is its connection to the past and present?

Through my art, I hope to captivate individuals with positive messaging and a shared creative outlook, engaging them on a sensory and emotional level. Emphasis on Familiarity and Nostalgia, Representation and identity, Collaboration and Community, Pattern and Color Interaction through material collection and representational art.